Music Millennium

Oregon Music News


Introspective side of Schoenberg, Haydn, and Brahms highlighted in piano recording

by James Bash on April 2, 2010

“Looking Within” is a recording that accents the introspective quality of several piano works by Schoenberg, Haydn, and Brahms. The CD, released in 2009 on the Eroica label, features pianist Beverly Serra-Brooks, who explores the inner voices of these composers with remarkable tenderness.

The album begins with Schoenberg’s “Sechs Kleine Klavierstucke” (Opus 19), which are six short (just over four minutes total) pieces that he wrote in 1911 and 1912. Serra-Brooks brings out their quizzical, inquiring and fragmentary nature.

Providing a nice contrast to Schoenberg’s music, is Haydn’s Sonata “Un piccolo divertimento” Variations in F minor (Hob XVII:6). Serra-Brooks gives finely balanced yet warmly expressive performance of this gem, which Haydn wrote in 1793.

Brooks also plays several Intermezzi by Brahms, including Intermezzo Opus 119 No. 1, the Three Intermezzi Opus 117, and the Intermezzo Opus 118 No. 2. In Serra-Brooks hands, the first of the Three Intermezzi Opus 117 has a lilting melody at is haunting and soothing at the same time. Overall, the melancholic mood of these pieces come to the forefront in her playing.

In Serra-Brooks hands, the beloved Brahms Intermezzo Opus 118 No. 2 takes on a subdued and introverted tone. It’s a fine piece with which to close the cover of the album, but a more expansive and expressively Romantic sentiment would’ve been more satisfying – at least to my ears.


Biographical note: Beverly Serra-Brooks, studied with James H. Shearer in Pasadena, California, with Dr. Reginald Stewart at the Music Academy of the West, and with Leonid Hambro at the California Institute of the Arts where she received her B.F.A. She received her Masters of Music diploma in piano at the California State University in Northridge, her Doctor of Musical Arts (DMA) in Piano from Claremont Graduate University, and her Artist Diploma at the American Conservatory in Fountebleau, France, where her piano coaches included Michel Beroff and Idil Biret. She also studied with Jerome Lowenthal in New York and with Jörg Demus in Austria.



4 Responses to “Introspective side of Schoenberg, Haydn, and Brahms highlighted in piano recording”

  1. Anthony J. Serra Anthony J. Serra says:

    Excellent CD recording , I’m sure everyone wiil enjoy it as I have.

  2. Howard Stapleton Howard Stapleton says:

    Outstanding playing and recording quality. Hope to hear more from this artist very soon.

  3. Raye A. Rhoads Raye A. Rhoads says:

    Excellent production all the way around. Ms. Serra-Brooks makes even Schoenberg likeable.

  4. Raye A. Rhoads Raye A. Rhoads says:

    I’d buy copies for my friends, too!


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jbash James Bash

James Bash writes articles for a variety of publications, including magazines such as Opera America, Open Spaces, Opera, MUSO, International Arts Manager, American Record Guide, Symphony, Opera Canada, and PSU Magazine. The newspapers include Crosscut, the San Francisco Chronicle, the Seattle Post-Intelligencer, The Oregonian, The Columbian, The Portland Tribune, The Register-Guard, and Willamette Week. James has also written a number of articles for the Oregon Arts Commission. James was a fellow to the 2008 NEA Journalism Institute for Classical Music and Opera. He is a member of the Music Critics Association of North America (mcana.org) and lives in Portland, Oregon with his wife, Kathy.